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UV Photographic Imaging – Sunscreens and Skin

By Jonathan Crowther
JMC Scientific Consulting Ltd, Egham, UK
October 15, 2018

Ultraviolet (UV) light constitutes about 5% of terrestrial sunlight, with about 80% of the most harmful effects being attributed to the shorter wavelength UVB and the remaining 20% to UVA.1 Excessive exposure of the skin to UV light is linked with premature skin aging (UVA with wavelengths between 315 nm and 400 nm) as well as sun burn and increased risk of skin cancer (UVB, between 280 nm and 315 nm). UV related skin damage is a widespread issue with over 130,000 new cases of skin cancer diagnosed each year in the United Kingdom alone, in which UV radiation is attributed as the main preventable cause.2 As such, formulating efficacious and protective sunscreen products is vital for both the consumer and pharmaceutical markets.

Some correlations do exist between in vitro, in silico, and in vivo assessments, however it is far from a perfect relationship.3,4 Routes to improve predictive capabilities are still needed, especially as SPF scores exceeding 30 become more prevalent, where the actual amount of UV light being blocked or scattered before reaching the skin approaches 100%. While the levels of sunscreen ingredients present will obviously have an impact on the overall protection capability of the product when applied to skin, an area which is often overlooked is the chassis or formulation from which these ingredients are being delivered, and the impact the chassis itself has on how the sunscreens spread and move on the skin once applied.5 The spreading of the sunscreen ingredients will have a dramatic impact on the overall protection offered by the film, as areas of the applied film where the layer is thinner will more readily allow an increased level of UV light to penetrate and damage the skin.6-8

UV reflectance photography has been used in forensics9-11 as well as being reported for use on skin.12-18 However, the major drawback with the use of directed light or flash photography for research purposes is that it produces images which contain specular reflection or shine, especially when a topical product such as a sunscreen is present. This shine prevents the amount of UVA being absorbed from being accurately captured in a photograph, as well as compromising the ability to derive information on the morphology of the film. Recently, work has been reported using cross polarisation of the UV light as a way of being able to cut through this shine and visualise the sunscreen film beneath.19

The use of UV illumination has been reported for imaging skin previously. For instance, UVA fluorescence is used by the Courage and Khazaka Visioscan for assessing dry skin topography and sunscreen persistence.20,21 However, with the Visioscan, the incoming UVA light interacts with the skin to be re-emitted as visible light, i.e. as fluorescence, so it is actually visible light rather than UVA photography. Likewise, the Canfield Visia system also uses UVA fluorescence from the skin during porphyrin imaging, where again visible light is captured after UVA illumination.22 Unfortunately, there is also a lack of clarity in some papers around how imaging systems work, which has led to confusion about whether systems are actually imaging reflectance or fluorescence.23 Film based UV reflectance photography systems were developed previously, but their use seems to have been primarily aimed at pigmentation assessment.14,17,18,24 While UV photography has been adopted for both artistic visualisation of skin pigmentation and sun damage by photographers such as Cara Phillips,25 and for visualisation of sunscreen application onto skin to show consumers areas that they have missed,26,27 there has been no systematic development in the field of digital UV reflectance imaging systems for quantification of sunscreen application and behaviour. This is most likely due to the lack of readily available sensitive camera systems in the UV range combined with the need for specialised lenses, along with the issue of shine when using flash. Recent advances in the low light sensitivity of digital imaging sensors has now enabled digital UV imaging to become a possibility with more commercially available equipment.

One key issue with using UV reflectance photography has been the shine which occurs when strong directional light is reflected from topically applied creams and even from the skin itself. In order to minimize shine in photographs, cross polarization has been used, where the light source and camera lenses have polarizers mounted on them at 90 degrees to each other, thereby eliminating specular shine, which appears as white bands when imaging glossy surfaces. While this process is well known for visible light photography, it has only recently been reported for digital UVA imaging of sunscreens for topical formulations.19 Through the use of cross polarisation of the UV light it was possible to image the morphology of the sunscreen film after spreading, and visualise the difference between products with good and bad spreadability (see Figure 1).

UV reflectance images of sunscreen films
Figure 1: Example UV photographs of a) non-streaky and b) streaky sunscreen products.

Figure 1 shows UV reflectance images of the two sunscreen films and each image is approximately 5 cm x 5 cm. The image appears darker where the film reflects less UV light. It can be see that the poor spreading film has obvious streaks in it, with regions where there is little UV being absorbed (the lighter grey lines).

It is known that there is a strong correlation between effective in vivo SPF and thickness of the applied sunscreen film.6-8,28-30 It therefore follows that thinner areas of an applied sunscreen film will have a greater propensity towards developing erythema upon exposure to UV light, as a result lowering the effective SPF capability of the product. The spreadability of a product and resultant film homogeneity would therefore impact effective SPF—products which are easy to spread would create a more even film resulting in a higher SPF for a given sunscreen package.31 A combination of data from the UV image—amount of UV absorption and film morphology—were compared with in vivo SPF data (Figure 2), and this metric proved to be a more accurate model for measured SPF than standard in vitro or in silico testing, demonstrating the importance of both attributes.


Figure 2: Comparison of in vivo SPF vs. UVA camera combined score of image greyness multiplied by streakiness rating.

While initial work on sunscreen imaging in UV was carried out on polymethyl methacrylate (PMMA) plates, the technique itself can be used on skin itself for in vivo imaging which is a distinct advantage for visualising sunscreens, however the degree of exposure of the skin to UV during image capture would obviously need to be considered.32 Example images of the UV imaging technique (non-polarised and cross polarised) applied to the imaging of a sunscreen film on skin are given in Figure 3.33

Comparison of a) non-polarised and b) cross polarised images of an SPF sunscreen film applied to skin
Figure 3: Comparison of a) non-polarised and b) cross polarised images of an SPF sunscreen film applied to skin.

Early attempts at UV reflectance imaging used photographic films which have elevated sensitivity to UV light, along with filters which blocked visible and infrared (IR) light. Very often the filters used (such as Kodak #18A, B+W 403, or Schott UG-1) were not opaque in the IR region, allowing a significant portion of IR light through, so what were called UV photographs were actually formed from a mixture of UV and IR light.9 With some photographic film imaging, this was not an issue though as orthochromatic films were not sensitive to IR light. It does become an issue though with digital imaging where the sensors are highly sensitive to IR light. From discussions with the manufacturer of the camera system used here, it images light in 300 nm to 400 nm region with a peak centred around 350 nm.34

One key issue with using UV reflectance photography has been the shine which occurs when intense directional light is reflected from topically applied creams films. In order to minimize shine in visible light photographs, cross polarization is used, in which the light source and camera lenses have polarizers mounted on them at 90 degrees to each other, thereby eliminating specular shine. While this process is well established for visible light photography, using this in the UV is complicated due to the amount of light lost during the process, hence it has only recently been explored.19

UV imaging itself comes with an array of challenges. Lack of sensitivity in the camera sensor, blocking of UV by standard camera lenses, suitability of the light source, choice of filter, possible contamination of the image by IR,11,34 and when dealing with sunscreens the fact that the product itself can absorb up to 99% of the incoming light, to name but a few. The work discussed here has concentrated on imaging in the UVA region. Imaging in the UVB region is even more complicated as sensors are less sensitive and the choice of lenses, filter, and light sources, becomes even more critical. However recent advances in low light camera sensor capability have now enabled the development of imaging systems capable of performing cross polarised UV photography of sunscreen films, both in vitro and in vivo, with the aim of this work being to drive development, and consumer understanding of better sunscreens and reducing the incidence rates of UV related skin damage and melanomas.

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